Відео

Thanks a lot. I think this one is also the more well known of the two.

Thank you very much for this comment.

@@MarcDevero Thank you for your visit. Have a great day.

You're welcome, Daniel. Glad you enjoyed it. MuseScore works well for me and with a style template the pages will always look similar.

Thank you, Juan Miguel. Glad you enjoyed it.

Much appreciated, Marianne. Glad you like the arrangement. It's one of those pieces that I know from my parent's LP's.Didn't like that version when I was young, but the melody surely got stuck in my head.

@@bertalink Nice that you aready knew it in your childhood/ youth 🙂🎵

Thanks for listening and the comment.

Thank you, Wolfgang. I must say I only knew this in the orchestra version by Mantovani, but also thought it fits the guitar. The orchestra version is a real old dance school tune, I don't think that goes for mine. Glad you like my playing.

Thank you, Stefan. That happens. Glad you like it and that you hear my style in it.

it's pretty ubiquitous in classical guitar scores. Barre in 2nd and 5th position of the fretboard. Either designated with C or with B

Fair enough! For a version in 4/4, I think you're right (like the Billy May version). For a waltz like mine I like a straight version at this tempo better. In the future I may try it the other way.

@@bertalink 😊👍

Thank you very much!

Gracias. Siempre es divertido reinterpretar estas piezas centenarias.

Gracias, muy agradecido!

Thank you. Much appreciated.

Thanks, Vic. Glad you enjoyed it.

Thanks for the visit. Glad you enjoyed my rendition. Hope you'll enjoy playing it.

Hi Daniel,.Thanks for listening and the visit.

Glad you like it! Thanks for listening.

You're welcome. Thanks for the comment.

Thanks so much for the visit.

Thank you. Much appreciated.

Danke, Renate, es ist auch eine sehr schöne Melodie.

Danke sehr, Renate. Nach vierzehn Jahren war es Zeit für einen erneuten Versuch. Schön, dass es dir gefällt.

Lieber Bert 🎸 🎶 ihre Playlists ist sehr schön und 👏interessant 👏 Chapeau an alle Gitarristen hier auf UA-cam 🙏🕊 man lernt nicht aus. 🌻☀️ 🤗

Thanks, Wolfgang. Glad you enjoyed the arrangement.

Glad you enjoy it, Bill. Thanks for the kind words.

Merci, André. Cheers.

Gracias por tus amables palabras. Me alegro de que te guste.

Thank you for those kind words. I think both versions are in the same key, but I believe Tennant's version is with a low D, so you can't stick them together.

Glad you like it. Thanks for the comment.

The one in the title is best IMO. Glad you like the arrangement.

Thank you. Love to hear yours/Froberger's. See what he can do.

Glad you like my version. The arrangement by Scott Tennant is played quite often, lots of renditions of that one, but I don't see why I should play someone else's arrangement when I can make my own. Can't better a lot of the others, but at least my rendition can be different.

Glad you enjoyed it! Thanks for listening.

Thank you, Wolfgang. Glad you enjoyed it.

감사합니다

You're welcome. Glad you enjoyed it.

Thanks for visiting.

Gracias. Muy apreciado!

Thank you so much. There is not much more needed when a piece has a good melody and bass line. That's so nice about baroque music; counterpoint took care of both.

Thanks for the visit.

Glad you enjoyed it. Thanks for listening.

Yes, these Sarabandes are nice, although a lot of them are very reminiscent of each other. I think his 438 is the best one and different ua-cam.com/video/X7KlfiKJzeE/v-deo.html

​@@bertalink I'll try play all of them!

You're welcome. Thanks for listening

Thanks! Much appreciated.

Many thanks!!

Thanks for the comment.

Thank you, Wolfgang. Recently I did Bach's 448, so I thought let's do Händel's 448 too (just a part of it).

Thank you. It's a nice piece indeed, glad you like my version.

Thank you, Ernst. Making this piece showed me it's fun to use counterpoint.